Paul Wells looks at animation in the United States afresh, discussing the distinctiveness of the cartoon form, and the myriad others types of animation production, insisting upon the 'modernity' of the form, and its crucial importance as a barometer of the social conditions in which it was made, and which it reflects.
Acknowledgements; Introduction: Abdicating All Mental Law; 1. Animation and Modernism; 2. The Disney Effect; 3. Synaesthetics, Subversion, Television; 4. New Disney, Old Stories?; 5. New Animation Auteurs; 6. United States of the Art; References; Filmography; Bibliography.
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