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Contents

Introduction: 'In the after-event of the virtual'; Matthew Causey, Emma Meehan, Neill O'Dwyer PART I: PROVOCATIONS: SUBJECTIVITY AND TECHNOLOGY Introduction to Part I; Matthew Causey, Emma Meehan and Neill O'Dwyer 1. 'Into the body of another: strange couplings and unnatural alliances of Harlequin Coat'; Burcu Baykan 2. 'The Cultural Critique of Bernard Stiegler: Reflecting on the Computational Performances of Klaus Obermaier; Neill O'Dwyer 3. 'The Flicker at the threshold of societies of control'; Sharon Phelan 4. 'The Right to Be Forgotten and The Image-Crimes of Digital Culture'; Matthew Causey 5. 'Materiality, immateriality and the dancing body; the challenge of the inter in the preservation of intangible cultural heritage'; Sarah Whatley 6. 'Performing (the Subject of) Exteriority: Virtuality, M?m?sis, and the Gratuitous 'One Must''; Riku Roihankorpi PART II: PRACTICES: EMBODIED NOTIONS OF ART AND TECHNOLOGY 7. Introduction to Part II ; Matthew Causey, Emma Meehan & Neill O'Dwyer 8. 'Not Waving But Drowning: The Affect Of Random Programming On The Creation Of A Digital Performance Work'; Mary Oliver 9. 'BrainExplode! Audiences and agency through the appropriation of Videogame structures'; Dan Bergin 10. 'Relational Works-In-Movement Using The Body Response System'; Maria Coleman 11. 'Dancing With Dirt And Wires; Reconciling The Embodied And The Digital In Site Responsive Collaborative Practice'; Natalie Garrett Brown, Christian Kipp And Amy Voris 12. 'Jeanette Doyle: Fifteen Days And Factory Direct At The Andy Warhol Museum: The Relationship Between The 'Immaterial', 'Dematerial' And 'Material' In Contemporary Art Practice'; Jeanette Doyle 13. 'Inscribing Work And Process: The Ontological Implications Of Virtual Scoring Practices For Dance'; Hetty Blades 14. 'Traces And Artifacts Of Physical Intelligence'; Scott Delahunta Index

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